Like all Hawaii, Kauai has plenty to offer: beachy stuff, the arts, music, hiking, shopping. But this is a photo blog. My focus is all about making photography and the creative experience an essential part of your travels. So here are some key possibilities for those of you with a camera (or phone cam) who are thinking of a trip:
Waimea Canyon. This area, above the western side of Kauai, has an abundance of overlooks, pull-offs and trails along Route 550. Waimea is often called “Grand Canyon of the Pacific” but the description doesn’t do justice to either place. The Grand Canyon is hundreds of millions of years older, a vastly different geological history. But Waimea is equally beautiful, with luscious tropical colors — and way less photographed. If you go to Kauai, put Waimea Canyon at the top of the list.
Waimea, in western Kauai, is removed from the main tourist sights, almost at the end of Route 50 (1 1/2 hours from Princeville). Then from Waimea town, head up 550 for 20 or 30 minutes. You’ll notice two signed overlooks, each is a must see for the photographer. The second of these has some trails that are worth it for those who can handle a bit of exercise. Plus there are plenty of pull-offs on the road. (Remember other folks are on the road too, so take in the sights after you’ve pulled off not while driving.)
Kalalau & Pu’u O Kila Overlooks. At the top of Route 550 are two overlooks of the Na Pali Coast that are also classic photo locations. And the fact that they’re a few miles past Waimea Canyon means you’ll end up doing them on the same day.
That area toward the top of the road has lots of trails through Koke’e State Park. The park is mostly swamp, a swamp almost a mile above sea level. But there are also trails that take you Na Pali overlooks. Once you’re in that top area you’ll notice signs for Kokee Natural History Museum and Koke’e Lodge. The museum has plenty of info on the hikes.
The two overlooks are at the end of the road. Both are of Kalalau Valley section of Na Pali. The one caution is that by noon these overlooks can get shrouded in clouds. Getting to Waimea and then up to the overlooks can take an hour from Poipu, 1 1/2 hours from Lihue — if you don’t stop. So go early or the overlooks at the top could be wrapped in fog.
Na Pali Coast. The Na Pali Coast is the most recognizable location on Kauai — because of the movies. It seems like any film that symbolizes unspoiled tropical wilderness does some shooting at Na Pali: Jurassic Park, King Kong, South Pacific, etc. This section of the coast is all about hidden valleys and 3,000 foot vertical drops. It can’t be gotten to by road. So if you want to shoot Na Pali, you hike in, view it from a boat or take one of the helicopter tours.
These boat tours can include snorkeling or dinner. For a more serious photographer, the “sunset” tour will usually deliver the better image. But an adventure rafting tour of sea caves and the coast will be an experience in its own right and a great challenge for your outdoor/sports photography skills. I’ll cover a helicopter tour in a whole blog post.
Kauai tours are one of the core entertainments. In fact, if you browse through one of the tourist handouts of the 101 Things to Do on Kauai, 99% will be some form of tour. Some choices (just off the top of the head): Snorkel tours, sunset sailing, kayak, general island, photo oriented, helicopter, tours to the nearby islands, horseback, botanical gardens….
I’ve done a bunch of Hawaiian tours. Whether the tour is physically oriented, cultural, botanical, or artistic, they tend to have high level guides, folks who know the islands. So you come away with an experience of some sort. But the tours can be a significant expense especially for a family, so choose based on your interests. And remember, a little research in a guidebook or here means you can do lots of these sights on your own.
I’ll list a few of these here, with thoughts on how a photo enthusiast might approach the experience:
Snorkeling. Whether with spouse or kids or solo (if you’re a regular swimmer), snorkeling at a good beach is an essential experience. Being suspended in the flowing ocean, hanging with the fish, being in the now. Rent some gear, do it.
As photo locations, snorkel beaches are a mixed bag. There are a few snorkel beach spots that can give you that classic beach shot and there are lots of people shots to be had. So bring your camera and at least a walk-around lens. (And keep it hidden in the car when not in use.) But my suggestion is, plan your snorkel trip to include photography before hand. Set aside some time for each experience.
Scuba Tour. I’m certified and did a scuba thing on Kauai on my second trip — I haven’t done a dive that includes photography, maybe the next time? Scuba can be amazing to do with a properly housed camera. This is Pacific Island diving in a small boat, sea turtles, fish everywhere, how cool is that. But.
But scuba is a huge skill unto itself. And if your diving skills aren’t current I wouldn’t throw the photo thing on top of it. If you’re new to diving, just dive on Kauai — do that experience to the full.
Kayaking up to the Fern Grotto. I’ve never been attracted to one of these tours. A little tour bus, a short kayak paddle, a boat with a Hawaiian music performance, a fern encrusted cave. It’s probably an entertaining family tour but I’m not the target audience.
This kind of excursion can be fun, but don’t expect great landscape images. That jungle flood plane below Fern Grotto doesn’t make landscape work easy. And any tightly manage tour adds other creative challenges — 1. you have to move with the group and 2. getting all those tourists out of the shot is more trouble than it’s worth.
Doing a straight kayak trip though, one you take at your own speed, is fun in its own right. Again, low lying river areas aren’t easy as landscape locations. But you might well get some nice adventure photos and botanical studies.
Seeing, shooting in a tropical garden. Kauai has a several botanical gardens, each full of rare or endemic flowers and trees. These spots are a treasure trove of subject matter and the enthusiast who understands macro work will have a field day.
Macro work isn’t a slam dunk, you’re applying the rules of composition at a different scale. So don’t just put the flower in the middle of the frame and push the button. Treat the flower and it’s setting as landscape in miniature. Think about relationships within the frame, foreground/background, leading lines, etc., all the good stuff.
And for a photo portfolio of the Garden Isle, an orchid is as appropriate a subject as a canyon or a stretch of coast. [No, you don’t need a macro lens.]
Doing a photo tour. We did a great tour with Nathan Sebastian at Kauai Photo Tours (more in a later post). The tour covered about 10 locations on the east and north side of the island and the experience seemed to work for enthusiasts at every levels.
If you don’t know a place as intimately as the locals, you won’t discover the less touristy photo spots on your own, not in a week. You can also cover a lot of ground doing the regular (non-photo) island tour. But with those, you get rushed onto the bus before you get your best shot. After all, a general tour company isn’t planning their locations like a photographer does. Talk about frustrating. To me, photo-oriented tours are a no-brainer.
I understood early on that fully half the island, the mountain core of Kauai, is inaccessible for the visitor except through a helicopter tour. The density of the jungle and the sheer cliffs mean the higher Kauai locations are never seen. These nosebleed-vertical landscapes are like abstract sculptures — as complex as Antelope Canyon but on a mythic scale. I’ll do a whole blog post on the Jack Harter Helicopter tour I did.
Beach Images. To the “high art” folks, pictures of beaches are about as classy as black velvet paintings of flamingos. And that’s too bad. Nature colors, like pure harmonies, resonate with the psyche. And the lush jungle, black sand and endless blue ocean have a certain magic.
That said, the average beach photo slips all to easily into postcard cliches. But the problem lies with the photographer, not the landscape itself. It’s easy to get lost in the Fantasy Island prettiness and forget to capture the experience from within the frame. So, treat these building blocks as formal compositional elements and you’re less likely to fall into cliche.
One-off Kauai shot locations
There are a bunch of smaller shot locations that are worth seeing. Your photo of this place may not be unique. Everyone who shoots Kalalau Overlook stands in about the same spot. But you’ll want to go anyway — hey, the rules of craft apply regardless of how many others have visited that location. So take the time to breath in this moment, to see the clouds and the play of light… find your own personal response. Here’s a few of the marquee Kauai locations:
Kilauea Lighthouse, North Shore
Tree Tunnel, Road to Poipu
Capturing the human experience
People go to these islands to have experiences, to engage with nature and each other. Life happens and in Hawaii, the moments of life feel more intimate somehow. That’s something every photographer should see, and care about. For instance, watching a gang of kids riding their bikes to the Hanalei Pier after school for a swim.
A lot to work with.