I like how Dan approaches post production, I have the same sense, that the tech tools we have should be used to deepen the impact of the art work. I see my initial image as what it is, RAW material … that can be shaped in subtle ways in post. Like Dan, I’m not going for a final result that looks out there. The final image must always have an intimate connection to your experience of that place and time. But by doing a thoughtful enhancement of the elements, I give myself a larger orchestra to compose for, i.e., I’j just finishing the composition, evoking the underlying elements of the piece through crop, structure, light and dark, tone, light.
I have spent a great portion of my life in the great outdoors. From my earliest childhood memories visiting Jasper National Park when the Icefields Parkway was a two late gravel road to having a convoy of European supercars pass me on the same highway a few years ago when I was spending a few fine autumn days in the park. BTW, it was really cool to see Ferraris, Lamborghinis, etc. zipping down the same highway that I almost know like the back of my hand.
In all of those years of camping and visiting how many spectacular sunrises or sunsets have I seen? Generously I would say one out of ten is a memorable one.
Simply put, most sunrises and sunsets are not memorable but yet I see photographers with always spectacular colours and tones in their photos.
Do they live on a different planet than I or are…
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