Fjaðrárgljúfur–very Icelandic name, is a jewel of a river canyon in southeastern section of the island. It’s just 2 miles off the Ring Road, a few miles west of the village of Kirkjubæjarklaustur and one of a few classic photo spots between Vik and the Glacier Lagoon/Hofn area.
But it’s not a spot many tours get to, mostly just Icelanders and Ring Road travelers. Oh yeah, Justin Bieber used this unique Geopark as main location for one of his music videos — and landing the canyon on the travel world’s radar screen.
The park itself isn’t much, just a trail along the canyon edge. But something about it, the fluid canyon shapes, that’s almost otherworldly. The trail runs for about a mile and ends at a dramatic overview of the slide-like waterfall. It’s an experience regardless of the weather and a pleasant repast from the Ring Road drive.
Location: Follow Iceland Rt 1 west from Kirkjubæjarklaustur for two miles till you see a small sign for the park on the right. It’s Rt 206. Follow it for a couple of miles, it turns to gravel and ends at the park’s parking lot. GPS: N63° 46′ 16.026″ W18° 10′ 19.506″
Photo notes: You can go wide angle or zoom to capture the canyon’s curves. The canyon runs north/south so there’s not as much value being there during Golden Hour. Given the controlled access, there’s no issue with people getting into the shot.
Fjaðrárgljúfur, looking upstream. I emphasized the curve of the left hand wall and the river as the obvious leading line.
The trail up starts at the parking lot. You can’t stray from the well-marked path; the grasslands are too delicate given the foot traffic. There are well defined overlooks along the way for photos (and selfies). Luckily, even when an overlook is busy, you can get a fairly clean shot of the canyon area. Note that the more delicate promontories of the canyon have been made off limits since the Bieber video.
Iceland in the summer. All I’m doing with the composition is following the curve of the geology into the distance. In post I softened the foreground grassland, lightened the canyon shadows and brushed in extra clarity, cooled off the sky — just getting the image to look the way the day felt.
Two studies. The canyon’s charm is all about the strange shapes — kinda like what you find at Antelope Canyon in Page, Arizona, but way bigger. The challenge is how you put these elements together.
It’s easy to go wide and include too much landscape for a clear composition. With these two studies I pushed in closer on some core shapes and colors. That gave extra emphasis to the grassland and juxtaposed the expanse of green against a few of the blue-black of lava columns.
At the high point of the canyon, the entire canyon is laid out before you. You can’t get it all in unless you go fish-eye. I decided to focus on this one curve in the river. The biggest challenge was how shadowed and contrasty the canyon was in late morning. That meant lightening up on the dark areas in post and added weight to the lava columns. One I’d eliminated the flatness of Raw, it was like entering a different realm.
The canyon ends just a bit further down the trail at the waterfall. The shot below is taken at the fenced overlook. It’s another view that has a wealth of complicated shapes. But the thing that worked best for me was to use the cliff that juts out on the left as a foreground element that leads the eye to that waterslide of a falls. I crop out everything on the right side and went square so as to emphasize the other visual relationship, that clear, blue lake at the bottom right. In post, I balanced out the dark and light spots and added texture to the visual surfaces, that lovely moss.
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