Posted on August 18, 2018
I joined forces with the Night Hawks group, signing up for a photo adventure the Creative Photo Academy does. It’s the Paul’s Photo guys organizing a night shoot at some LA photo spot (for not much money) and everyone shoots their little hearts out. Mark Crase was on hand from the Academy to keep the cats together and for photo questions. Last Wednesday was a Night Hawks visit to a local San Pedro favorite, the Vincent Thomas Bridge.
I’ve shot Vincent Thomas at night before — I had a shot of that in my March gallery show in San Pedro. But I was hoping the Night Hawks would get me a new view to shoot.
We met up at about 7:30 at the fountains along Harbor Blvd. in SP. Basically these fountains are like a small town version of the Bellagio’s. The challenge is how to turn all that into composition. Here are some of my fave shots from that sequence.
The fountains have a pretty good design all things considered. Lots of nice angles, good use of the spotlights in the fountain. And once I got the lay of the land, I wandered down to this end to make the most of those elements. Plus the sun was giving off warm colors. I went with the long exposure to smooth out the light reflections in the water.
Once the fountain began it’s sequence I found I had to shorten the shutter speed in order to record a smaller segment of the water dance. Going for 20 seconds (or 5) means you get too many different water effects one on top of the other. But tightening the shutter speed and triggering at the beginning of a new sequence gave me a cleaner look.
Second fountain dance
With darkness hiding all the crappy buildings in the background, I moved to this side of the fountain. By now, the lit wall around the edge of the fountain was golden bronze and I spent some time using that shape against the line of palms — while getting as much reflection as possible.
I was shooting the main fountain area once the show started again, without much luck. These fountain effects aren’t choreographed to please photographers. But I did get a few things.
Once the show got going I had more luck catching how the audience engaged with the fountain.
Next: Moving on to the Vincent Thomas
Posted on July 23, 2018
If you’re driving the northern end of the Ring Road, Akureyri will be the best resource for everything from travel needs to accommodations. Akureyri is like other towns on the north coast. It’s at the end of a long fjord and has a mountainous backdrop. It has a long history in Iceland and as a fishing port. But…
… But with a population of almost 20,000, the town is huge compared to the rest of the north. It has a distinctive church, supermarkets, restaurants, swimming pool, banks, tour operators, clothing and bookstores, harbor, museums, hospital, airport (with regular flights to Reykjavik), actual nightlife, etc.
Being centrally located, most of the guidebooks mention that Akureyri is a good choice to stay. And the town does have reasonably priced accommodations (included AirBnB). But my accommodation approach was to stay close to the good landscape shooting locations. That gave me more chances for the Golden Hour light.
So for me, Lake Myvatn, 1 1/4 hours further east, was the better choice. Myvatn has the natural beauty, volcanic areas, and is right between Godafoss and Dettifoss. That said, after a week on the Ring Road, my visit to Akureyri felt like indulgence and I could have spent the entire day eating, shopping and sightseeing.
Photo Choices Around Town
Lystigardur. There’s a good botanical garden a short walk south of the main square. It showcases the indigenous plants as well as more exotic ones and is a great place to recharge.
Kjarnaskogur. This forest park is a popular spot for residents — about 7 km south of town. Take the main road past the airport and airplane museum and turn onto Rt. 831.
Camera Shop. Yes, Akureyri has a camera store, Pedromyndir. They have batteries, chargers, filters, tripods, memory cards, bags, lenses for Nikon and Canon, GoPro cameras and accessories. The folks who work there are real photographers and have fair prices. And getting a new lens cap there meant my 16-35mm lens was protected for the first time in a week. The store is at 16 Skipagata just across the street from the main parking lot in town. Phone: +354 462-3520, email: firstname.lastname@example.org.
Tip: The Berlin Cafe is a great location for breakfast, snacks and coffee. They also make excellent smoothies.
Next Up: The Northern Fjords
Posted on July 21, 2018
Lake Myvatn (pronounced me – vaht) is the blue gem in the intriguing volcanic area of north-northeast Iceland. Just an hour east of Akureyri, the small 14 sq. mile lake is nutrient, making it an attraction for migrating birds. The lake’s too far for most of the tour buses but it gets plenty of Icelanders and savvy tourists. For photographers, the Myvatn area offers a range of landscape possibilities and it’s worth two days (or more) for the Ring Roader.
Myvatn (like Thingvellir) is a marker for where the North American and European continental plates separate. The lake formed by a volcanic eruption 2300 years ago. And you’ll find everything from volcanic craters and lava columns by the lake. A few miles east, the landscape turns ochre to sulfur gray to lava black.
The lake side is deep green. Yes, there are small hotels and BnBs along the lake road, most in the tiny village of Reykjalid. The town has a small supermarket, gas station, visitor center. The area has various places to eat, an assortment of day tours, a fancy natural bath — and all the natural sights.
Going south from the town on Rt 848 are volcanic cones and lava columns along the water and into the green fields. Further south and east are the nutrient-rich wetlands feasting grounds for a vast range of wildfowl — including 15 or so species of ducks. The lake’s name my (midge) vatn (lake), is a result of the clouds of midges that come in summer.
Further afield, you’ll find Godafoss waterfall to the west and Dettifoss and Selfoss waterfalls about an hour’s drive east of the lake.
Photo locations (listed east to west)
Dettifoss & Selfoss. These classic waterfalls are a 40-60 minute drive east of Myvatn depending on which a access road you take. So if Myvatn is your home base, these natural wonders are on your short list.
Krafla. The Krafla area, northeast of Myvatn, includes a big lava field, crater lake, mud pots and a geothermal power station. Geologically, Krafla is how land looks in the first centuries after being created. Photographically the area is all about going abstract, going wide angle. Go 3 miles east of the lake on Rt 1, then take Rt 863 north for 7 km.
Hverarond. The distinctive brown-orange landscape called Hverarond (or Hverir) is worth a couple hours of walking and/or photo walkabout. There’s lots of mud pots, lava and sulphur streams here. But I was able to be there just before sunset and realized that this shot location makes the most of Golden Hour. Another location that likes wide angle. Tho a 24-70mm will work as well … or a 70-200, or…. Just off the Ring Road about 2 1/2 miles east of the lake.
Shooting Volcanics. I’m always hesitant to photograph stuff like mud pots. The colors are always strangely interesting (if not pretty). But the volcanic elements don’t always fit easily into a composition. So my approach here was to find clear design elements within the complexity.
With its unique coloring (and not so charming smell) this location deserves a couple hours of exploration. But like any enthusiast, I wanted to make the most of Iceland’s Golden Hour. So I decided to return again and do the place justice.
Shooting the Lake
West of Hverarond the Ring Road descends into the lake valley. This is where the turnoff for Jarðböðin við Mývatn, the Myvatn version of the Blue Lagoon, is located. The baths aren’t quite as spa-like as the Reykjavik attraction but there’s food, a great view, less tourists and less price inflation.
Grjotagja Cave. Just west of that turnoff is Rt. 860, the road that takes you to Grjotagja Cave, the hot springs that were featured in Game of Thrones.
East side of lake. A mile further west of the cave area, you’re at the junction of Rt. 1 and 848. Rt. 848 is the ring road around the eastern/southern half of the lake. That’s where Reykjahlid is located. But as you continue south, you begin to see the mixture of lake and volcanic views. There’s lot’s to work with.
Southern end of the lake.
Godafoss. Thirty miles west of Reykjalid on Rt 1 is another of the marquee waterfalls, Godafoss. It is a godly waterfall as its name might suggest. But the history of the “god-falls” name is that one of the forefathers got Christian and dumped all his statues to the Norse gods here.
Tech Specs: I got to Godafoss an hour after dawn. The falls are east-facing but the hills to the east were still blocking the sun. I took my time getting set up. Godafoss can be shot from either side of the river. But the main parking is to the north, just off Rt. 1. And that location opens up the composition (in my opinion) with some interesting foreground elements to choose from. I played around with long exposure but those seemed to have less impact.
I also drove over the bridge to the south side parking. On that side you can shoot from the cliffs or river’s edge. I didn’t get anything worth sharing.
Aldeyjarfoss. Twenty miles upstream from Godafoss is another impressive waterfall, Aldeyjarfoss. The landscape there is nothing but barren rock, much of it basalt. Plus the drive south along Rt 842 or 843 takes a while. But people have gotten good shots here.
Not too far from Lake Myvatn:
Jökulsárgljúfur Canyon. The most expansive canyon in Iceland comes into its own just below Dettifoss. The Hafraigilsfoss waterfall is located there, a couple of miles downstream from Dettifoss.
Ásbyrgi Canyon. Eighteen miles north of Dettifoss, is a couple mile long horseshoe-shaped depression with sheer walls. Legend has it that the canyon is a footprint of Odin’s 8 legged horse, Sleipnir. The place definitely has a mythic quality and a great area for hiking.
Húsavík Whale Watching. An hour’s drive north of Myvatn on Rt. 87 is Husavik, the whale watching capital of Iceland.
Next: on to Akureyri and the northern fjords.
Posted on July 1, 2018
The section of the Ring Road from Egilsstadir to Lake Myvatn was my least favorite drive. You leave the east coast, head past lush farm lands and drive through fields of black lava for much of the two hours it takes to get to Lake Myvatn.
There is one important photo location along this section of Ring Road, the Dettifoss waterfall. Dettifoss is about 85 miles east of Eglisstadir, 25 miles from Lake Myvatn, and the most powerful waterfall in Iceland. Plus, it’s adjacent to Selfoss, a waterfall of equal beauty.
Logistical issues. Dettifoss and Selfoss are something of a rarity in Iceland, they can be approached easily from either side. Rt. 862, the western approach, is shorter and paved. It gets the lion’s share of tourists. This western viewpoint doesn’t give much glimpse of the gorge below.
From the east side, you can walk right up to the cliff edge and aren’t as hampered by the managed overlooks. Unfortunately, Rt 864 is a longer drive down a dirt road. The route is also less accessible. This section of the Ring Road is at a higher altitude so there are snow issues for most of the year. I had planned to shoot Dettifoss from both sides. But when I came in early May, 864 was closed; the sign saying (in nicer words) if you get stuck on this road, you’ll need a second mortgage to pay the towing fees. So I went with the flow.
Best light. On the other hand, I discovered that Dettifoss’ western view is the better choice in the afternoon. The river, Jokulsa a Fjollum, flows south to north so you’re shooting with the sun behind you. The eastern view will get better light in the morning and a better view upstream. Of course this being Iceland, you’re likely to be shooting on an overcast day.
Layout. An easy walk from the parking lot takes you to a couple of fenced off overlooks. The first overlook is just above the falls. The downstream overlook gives a cleaner composition. It’s easier to get the entire falls into frame.
This framing gave me some nice leading lines into the image. And since there was a perfect rainbow, I used it. I did play around with shutter speeds at this spot. This waterfall is a powerhouse and I wanted a (somewhat) slower shutter speed to suggest movement in the water without sacrificing definition. So for me, anything slower than 1/20 second gave too much smoothing to the falls for my taste.
One note: The swirling black and white along the cliff edge (center) are patterns in the snow. I’m not sure how they got created but I like the effect. Also, notice that the rainbow stops in midair.
As far as post, I mostly just lightened up the shadows in the lower third of the image.
Another nice thing about this shot location is that it’s a twofer. The Selfoss waterfall is just a ten minute walk upstream. (You’ll see the path off to the left as you head back towards the parking lot.)
Selfoss has just as much water flow as Dettifoss (duh) but the layout allows you to shoot from the cliff edge. Plus, Selfoss has a number of smaller falls leading the eye up to the central area of it. So there are any number of ways you can compose the image successfully.
At 1/500 sec., the foreground waterfall becomes lattice-like and the turbulence in the river is nicely detailed. So this approach seemed to capture what made Selfoss so unique at that moment.
Between the two waterfalls, the gorge narrows and the river moves fast. So I spent longer working this location, seeing how a longer exposure would impact the motion of water. Here’s an example of that.
For me, the slower shutter speed was too weird. I don’t mind the fall’s blur on the right side. But that 1/10th sec exaggerates the river motion. It’s a powerful photographic choice. But I get almost sea sick looking at it and I can’t imaging anyone having this image on their wall. I could have gone for a much longer exposure, 1-5 minutes. But then I lose all the detailing in the river. And those powerhouse rapids are what captured my attention that afternoon.
None of this is meant to say how these two waterfalls “ought” to be photographed. These perceptions are what moved me on that afternoon. With different lighting, different water levels, I would have gone with another approach. The point is to engage with a place, let it “speak” to you, then use your tools to capture the feeling.
Post. For the two Selfoss images, my core adjustments were to equalize the effects of the light differences. The cliffs getting direct sun were a bit harsh and blown out, the cliffs and water in shadow were too dark. That’s a common challenge for us.
While shooting, I was talking with a young couple about the challenges of photographing a scene like this. They were enjoying the moment, I was thinking out loud. I probably mentioned how dark the shadows were getting. It was 6:30 by now but the two ladies could still see every detail in the rocks (on the right side) with no trouble. The camera was registering all that as black since I didn’t want the sky getting blown out. People often think you should just “photograph what’s there.” But what the eye sees isn’t what the camera can deliver. That’s the point of post production, the point of shooting in RAW.
After shooting Selfoss, I headed down into a final black plain towards Lake Myvatn, my stop for the night. The deep blue lake is a relief after the lava flats. As I noticed early on, in Iceland you don’t have to drive far before the landscape transforms.
Hafraigilsfoss waterfall. If you have more time, Hafraigilsfoss waterfall is just a couple of miles downstream from Dettifoss. At this point you’re within Jökulsárgljúfur Canyon which goes on for miles to the north. It’s a popular hiking area. The two roads to Dettifoss, 862 and 864, parallel the canyon. But after Dettifoss, Rt. 862 becomes a dirt road as well.
Posted on June 26, 2018
Skaftafell National Park (now part of Vatnajökull National Park) is most known for the scenic Svartifoss, a basalt-columned waterfall at the base of Iceland’s largest glacier field. Hint: the hike to Svartifoss is also worth your attention. It’s good to keep the eyes open. Plus, other sections to the park have their own views, including glacier vistas. Skaftafell’s a worthwhile stop on a Ring Road tour.
I didn’t bother to show up at Skaftafell till about 9AM. If it’s a rainy day, there’s no point in catching the dawn light. So I slept in, enjoyed Skaftafell Hotel’s free breakfast and tossed my suitcase in the trunk. (I was at a guesthouse just east of the Glacier Lagoon that evening.)
Layout. The park is just a few miles off Rt. 1 and there’s lots of parking (you can pay for that at the park’s visitors center). The help desk folks are all knowledgeable.
A big piece of the park is glacier and there are several companies located to the left of the parking lot that do tours each day. In addition, there are a number of hiking trails criss-crossing the non-glacier section of park, that long spit of land (above).
The rangers all seem to be total pros. The guy I spoke with gave me some good tips as to the more photogenic trails. The S2 trail goes to Svartifoss, S1 goes along the flatlands to the base of the glacier. S5 heads up a ridge that overlooks the glacier and the eastern mountain range. That’s what I ended up doing.
The paved Svartifoss trail starts just left of the Visitor Center. It has a fair amount of vertical elevation at first, then the trail levels out. For me, things got interesting even in that first section of the climb, where there’s a small bridge over a mountain stream. From the bridge, the view was nice but with too many branches and brambles to get a clean shot. So instead of following the crowd up to the marquee event, I found a path down and in front of the bridge and below the overhang.
From here I was close to the stream and some good foreground choices. With a 15-35mm wide angle, the shot just fell into place.
By now it was raining again so I grabbed the poncho from my day pack. After the terrain levels there are a couple of waterfall overlooks to the left, for Hundafoss and Magnusarfoss waterfalls. (Foss means waterfall.) Both falls have lots of vegetation so getting a clean photo is tricky. This one turned out OK.
Not long after these waterfalls, you can see Svartifoss up valley.
Most images you see of Svartifoss are taken from either that bridge or along the creek. Here I preferred to include more of the valley. Part of that was just the situation. The vegetation was just starting to take on that red-brown spring coloring. Plus from higher up, the valley, bridge, mountains behind become part of a context that humans are a tiny part of. These images remind me of the old Chinese pen and ink watercolors, a traveling monk lost in a vast landscape.
But here’s an example of a more standard Svartifoss landscape shot from below.
The waterfall and the basalt columns are a more central part of the image from this viewpoint. But the creek itself is visually busy with all the boulders. If I do a 500px search for Svartifoss, the images that hold my attention are mostly the long exposure ones. Doing a longer exposure here would have hidden some of the busyness in the creek behind the gossamer texture. But I haven’t seen many Svartifoss images that grabbed me.
I made one final discovery walking back. The Svartifoss creek and the trail were perfect leading lines for a photo of the entire area.
Doing the S6-S5 trail
For a longer stay at the park, it’s worth it to hike a few miles more on the S5 trail — up to the glacier overlook. The easiest way to get there, if doing the Svartifoss trial (S2), is to look for a sign for Sjonarnipa. This is the S6 trail that runs into S5 (the trail number isn’t marked as such). It’s a nice trail that does a slow climb up the wide ridge.
After @ a mile and a half, you’re at an overlook of the glacier, Skaftafellsjokull, and the eastern mountains. Nice.
And heading back to the visitors center along S5 rather than going back the Svartifoss route the view continues.
Tip: After all that hiking, there’s a nice cafeteria (soup, sandwiches, dessert) attached to the Visitors Center that’s a good value and a great place to chill.
Posted on June 23, 2018
There were several times on the road when I was reminded of my Yankee side — that part of me that takes a hard look at things, tells you to own up when you screw up. And I had one Yankee moment on the trail up to the Svartifoss waterfall.
Early on, I came to a bridge over a creek. I took the place in: a rushing stream, red-brown bramble lining the banks, rain clouds above. Of course I had to shoot it.
By now, I was under the bridge, close to the water. A wide angle was the choice, i.e. my 16-35mm that no longer had a cap. I looked the glass over as I screwed the lens in place.
My slip of a hand on that cold day was still a bother. It was an easy mistake that had non-trivial consequences. This two week shoot was important to me, as business and as creative opportunity. I’ve planned it up the kazoo. And this essential lens could easily get damaged given the spring conditions. Plus I hadn’t heard of a single store on the Ring Road that would have DSLR lens caps. (I found one a week later up in Akureyri.)
Point taken. I got my head back into photographing the little stream.
Five shots later, the 24-105mm was on my Canon, the 15-35mm was in my pack (in one of those little lens bags). I had pulled out my poncho. Yes, there was a steady rain by now and yes, I had remembered to bring rain gear. As I walked, I returned to thinking how I could be more attentive, mindful. …
… My father used to say you always take care of your tools. Clean the paint brush you used. Put the hammer back where it came from. Basic dad stuff, basic life lessons. The early landscape photo pioneers had the same practical perspective on things, maybe that’s what made them pioneers. I started making mental notes of stuff I needed to attend to.
Stuff I need to attend to, a personal list
- Put the lens back where it belongs when you switch to a new one … same for ND, CPL filters, cable release, etc.
- Put your lens cap into your left-hand pants pocket (my system) when you’re shooting.
- Bring water.
- Bring extra gear, poncho, windbreaker, etc., if there’s a chance you’ll need them.
- Bring a camera cover in Iceland, you’ll need it at some point during the day.
- Check your camera settings before you start shooting.
- Take the location in, breathe it in, before you start shooting.
- Keep the rest of your gear close at hand.
- Don’t take unnecessary risks. Travel safely.
- Don’t always stay on the path (or in the scenic overlook’s parking lot), explore.
- Be respectful of property, ask the owner before you intrude on their land.
- Be supportive of your fellow photographers. Don’t walk into their shot, don’t trash talk on their gear. Appreciate where they’re at, share insights. It’s a community.
- Don’t pull the trigger until you’re seeing the composition you want.
- Think outside the box. Try shooting at ground level, from above, with different settings.
- Recheck settings as you go.
- Check that your lens is clean, often.
- Stow everything where it belongs when you’re through with that location.
These are my notes to self, your mileage will vary. I added one more note to the list when I got to Snaefellsness: Zip up your gear pack fully when it’s not in use, so that new Sigma lens won’t drop out and the UV filter won’t be destroyed. Yep.
This list is a work in progress. And I know there are a hundred other points I could have mentioned. But you can only keep so much in RAM.
Posted on June 21, 2018
After 1 1/2 days shooting Dyrholaey, Vik Black Sand Beach and the waterfalls, I was ready to continue down the Ring Road. My next stopping point was Skaftafell Hotel, just down from Skaftafell National Park, an hour and a half northeast of Vik. The trip turned out to be full of unplanned discoveries.
Ninety miles isn’t much. During the first leg, the landscape isn’t much different from the western side of the South Coast. You’re driving through a wide swath of rich farmland sprinkled with sheep and horses that’s overlooked by the usual mesa. After that, the massive footprint of Vatnajokull Glacier pushed the Ring Road down towards the coast.
So the plan was to stop half way and do a 2-3 hour photo shoot at Fjaðrárgljúfur, a 2 million year old canyon park, then head into glacier country and Skaftafell Park. I had done a quick trip to the canyon on my first trip to Iceland, getting there just before dusk (see slideshow below). Fjaðrárgljúfur had a certain magic and I knew the location would be even better with good light.
But before easing down the road, I needed to upgrade my cold weather gear. I swung by the store, Icewear, to pick up some serious gloves and a balaclava mask on my way out of Vik. Icewear is as big as any REI store in LA. Finding all that cold weather gear in a town of 200 is kind of impressive.
About 40 miles east of Vik, Rt 1 crosses a lava area that is covered with dense green moss. It’s an intriguing area, most of it fenced off for environmental reasons. It’s worth a stop at one of the road pull-offs.
Closed for renovation
When I got to the turnoff for Fjaðrárgljúfur canyon, I was in for a surprise. A park ranger was waving visitors over to explain that the canyon was off-limits except for the bridge at the bottom of the stream. The wooden boardwalk that goes along the entire eastern rim was getting a major renovation.
That wasn’t what I wanted to hear, the canyon is one of Iceland’s unique photo experiences. Plus this was my one chance to shoot this park, what with me doing the Ring Road. I wanted to see if there was any leeway.
Our ranger was a total pro, articulate, thoughtful, hunky. He explained that as an American, I would understand how important and delicate the ecology of a park can be. He mentioned that it gots 500,000 visitors in 2017, way more than the current wooden boardwalk can’t handle, especially with all the spring rains.
My new ranger friend told me the view from the bridge would be worth it. Knowing that the bridge is located at the bottom end of the canyon, I begged to differ. “Do you think a photo taken from the far end of the Grand Canyon captures the magic of the place?” He got my point. He did allow me to head down to the base of the bridge and wander up river if I wanted. The water was way too cold for that but I did get one or two shots at river level.
Not the photo I wanted. But I gained a bit of insight into the challenges Iceland faces in preserving its unique landscape. Plus he gave me a ride back up to my car. We shook hands. He continued working with the new visitors, I continued up the Ring Road.
Along the way
With only 50 miles to my hotel, I had plenty of time to kill. So I kicked back and enjoyed the classic southern countryside, golden-green farmland framed by a mountain plateau… plus a wind-swept waterfall.
Just another road pull-off, not a place that’s in any guidebooks or on any tours. But balancing the fence posts with the plateau made it one of my favorite images.
Then I pulled up and parked for a closer look at the falls, called Foss a Sidu.
The area past this point was private land so I didn’t intrude. Just took six shots of this delicate falls. In half the images, the water doesn’t make it do the ground, the wind gusts kept sweeping the falls away.
Twenty miles further on and the Iceland landscape is transformed from farmland to a black sand river delta. I spotted a butte set against the expanse of brown-black earth — another photo location that’s not in the guidebooks. I found a safe pullout just over the bridge. My first image was to the east.
Shooting north, the view is of a long plateau and a tongue of the Vatnajokull Glacier.
Afternoon exploration, Hof
By now I was close to my hotel and ready for a late lunch. I checked in and grabbed something at the restaurant/store across the road. I had decided to do Skaftafell and the Svartifoss waterfall the next morning when I was rested. So that afternoon, I drove further east on Rt 1 to take a look at another of the area’s points of interest, the turf church at Hof.
The church itself was closed but the trees and old graveyard made for a shot that could have been in The Hobbit.
This whole area has some intriguing mountains so I explored another 10 km down the Ring Road. There was something about the snow covered peaks fronted by golden tundra grass. But one of my working rules is not just to shoot a cool mountain or waterfall by itself. I need to put any visual element into a more complex artistic context. So I didn’t pull over until I found the missing element, a dirt road that led the eye into the mountains.
It had been a long day so I rested before dinner. But Iceland had more in store for me, the evening light. I walked outside and noticed sunlight filtering down to the glacier behind Skaftafell National Park. Sweet.
A closer look.
And further down the road.
I got back to my room just after nine. It had been an interesting day, a perfect road trip day. My only must-see photo location had been a washout, called on account of spring rains. But the photos I had were uniquely my own … just me seeing something that other folks on the road had driven past. Not bad.