The Hike to Svartifoss Waterfall

Skaftafell National Park (now part of Vatnajökull National Park) is most known for the scenic Svartifoss, a basalt-columned waterfall at the base of Iceland’s largest glacier field. Hint: the hike to Svartifoss is also worth your attention. It’s good to keep the eyes open. Plus, other sections to the park have their own views, including glacier vistas. Skaftafell’s a worthwhile stop on a Ring Road tour.

I didn’t bother to show up at Skaftafell till about 9AM. If it’s a rainy day, there’s no point in catching the dawn light. So I slept in, enjoyed Skaftafell Hotel’s free breakfast and tossed my suitcase in the trunk. (I was at a guesthouse just east of the Glacier Lagoon that evening.)

Layout. The park is just a few miles off Rt. 1 and there’s lots of parking (you can pay for that at the park’s visitors center). The help desk folks are all knowledgeable.

Skiaftafell

A big piece of the park is glacier and there are several companies located to the left of the parking lot that do tours each day. In addition, there are a number of hiking trails criss-crossing the non-glacier section of park, that long spit of land (above).

Trails

The rangers all seem to be total pros. The guy I spoke with gave me some good tips as to the more photogenic trails. The S2 trail goes to Svartifoss, S1 goes along the flatlands to the base of the glacier. S5 heads up a ridge that overlooks the glacier and the eastern mountain range. That’s what I ended up doing.

The paved Svartifoss trail starts just left of the Visitor Center. It has a fair amount of vertical elevation at first, then the trail levels out. For me, things got interesting even in that first section of the climb, where there’s a small bridge over a mountain stream. From the bridge, the view was nice but with too many branches and brambles to get a clean shot. So instead of following the crowd up to the marquee event, I found a path down and in front of the bridge and below the overhang.

From here I was close to the stream and some good foreground choices. With a 15-35mm wide angle, the shot just fell into place.

On path to Svartifoss waterfall, Skaftafell National Park

1/15 sec., F22 (All images are handheld, I didn’t bother with the tripod for the shutter speed I was going with.)

On path to Svartifoss waterfall, Skaftafell National Park

1/5 sec., F22. From under the bridge

By now it was raining again so I grabbed the poncho from my day pack. After the terrain levels there are a couple of waterfall overlooks to the left, for Hundafoss and Magnusarfoss waterfalls. (Foss means waterfall.) Both falls have lots of vegetation so getting a clean photo is tricky. This one turned out OK.

Hundafoss waterfall Skaftafell National Park

Magnusarfoss waterfall, 5. sec., F22

Not long after these waterfalls, you can see Svartifoss up valley.

Svartifoss waterfall, Skaftafell National Park

Svartifoss waterfall from the ridge, 1/400 sec., F20

Svartifoss waterfall, Skaftafell National Park

Svartifoss waterfall, Skaftafell National Park. 1/250 sec., F11

Most images you see of Svartifoss are taken from either that bridge or along the creek. Here I preferred to include more of the valley. Part of that was just the situation. The vegetation was just starting to take on that red-brown spring coloring. Plus from higher up, the valley, bridge, mountains behind become part of a context that humans are a tiny part of. These images remind me of the old Chinese pen and ink watercolors, a traveling monk lost in a vast landscape.

But here’s an example of a more standard Svartifoss landscape shot from below.

Svartifoss waterfall, Skaftafell National Park

Svartifoss from creek level. 1/25 sec., F20

The waterfall and the basalt columns are a more central part of the image from this viewpoint. But the creek itself is visually busy with all the boulders. If I do a 500px search for Svartifoss, the images that hold my attention are mostly the long exposure ones. Doing a longer exposure here would have hidden some of the busyness in the creek behind the gossamer texture. But I haven’t seen many Svartifoss images that grabbed me.

I made one final discovery walking back. The Svartifoss creek and the trail were perfect leading lines for a photo of the entire area.

View trail to Svartifoss waterfall, Skaftafell National Park

Southern view, Skaftafell National Park. 1/500 sec., F11

Doing the S6-S5 trail

For a longer stay at the park, it’s worth it to hike a few miles more on the S5 trail — up to the glacier overlook. The easiest way to get there, if doing the Svartifoss trial (S2), is to look for a sign for Sjonarnipa. This is the S6 trail that runs into S5 (the trail number isn’t marked as such). It’s a nice trail that does a slow climb up the wide ridge.

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After @ a mile and a half, you’re at an overlook of the glacier, Skaftafellsjokull, and the eastern mountains. Nice.

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And heading back to the visitors center along S5 rather than going back the Svartifoss route the view continues.

Chinese Temple Dog

 

Tip: After all that hiking, there’s a nice cafeteria (soup, sandwiches, dessert) attached to the Visitors Center that’s a good value and a great place to chill.

 

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Take Care of Your Tools

There were several times on the road when I was reminded of my Yankee side — that part of me that takes a hard look at things, tells you to own up when you screw up. And I had one Yankee moment on the trail up to the Svartifoss waterfall.

Early on, I came to a bridge over a creek. I took the place in: a rushing stream, red-brown bramble lining the banks, rain clouds above. Of course I had to shoot it.

By now, I was under the bridge, close to the water. A wide angle was the choice, i.e. my 16-35mm that no longer had a cap. I looked the glass over as I screwed the lens in place.

My slip of a hand on that cold day was still a bother. It was an easy mistake that had non-trivial consequences. This two week shoot was important to me, as business and as creative opportunity. I’ve planned it up the kazoo. And this essential lens could easily get damaged given the spring conditions. Plus I hadn’t heard of a single store on the Ring Road that would have DSLR lens caps. (I found one a week later up in Akureyri.)

Point taken. I got my head back into photographing the little stream.

On path to Svartifoss waterfall, Skaftafell National Park

Shooting under the bridge, Skaftafell National Park

Five shots later, the 24-105mm was on my Canon, the 15-35mm was in my pack (in one of those little lens bags). I had pulled out my poncho. Yes, there was a steady rain by now and yes, I had remembered to bring rain gear. As I walked, I returned to thinking how I could be more attentive, mindful. …

… My father used to say you always take care of your tools. Clean the paint brush you used. Put the hammer back where it came from. Basic dad stuff, basic life lessons. The early landscape photo pioneers had the same practical perspective on things, maybe that’s what made them pioneers. I started making mental notes of stuff I needed to attend to.

Stuff I need to attend to, a personal list 

  • Put the lens back where it belongs when you switch to a new one … same for ND, CPL filters, cable release, etc.
  • Put your lens cap into your left-hand pants pocket (my system) when you’re shooting.
  • Bring water.
  • Bring extra gear, poncho, windbreaker, etc., if there’s a chance you’ll need them.
  • Bring a camera cover in Iceland, you’ll need it at some point during the day.
  • Check your camera settings before you start shooting.
  • Take the location in, breathe it in, before you start shooting.
  • Keep the rest of your gear close at hand.
  • Don’t take unnecessary risks. Travel safely.
  • Don’t always stay on the path (or in the scenic overlook’s parking lot), explore.
  • Be respectful of property, ask the owner before you intrude on their land.
  • Be supportive of your fellow photographers. Don’t walk into their shot, don’t trash talk on their gear. Appreciate where they’re at, share insights. It’s a community.
  • Don’t pull the trigger until you’re seeing the composition you want.
  • Think outside the box. Try shooting at ground level, from above, with different settings.
  • Recheck settings as you go.
  • Check that your lens is clean, often.
  • Stow everything where it belongs when you’re through with that location.

These are my notes to self, your mileage will vary. I added one more note to the list when I got to Snaefellsness: Zip up your gear pack fully when it’s not in use, so that new Sigma lens won’t drop out and the UV filter won’t be destroyed. Yep.

This list is a work in progress. And I know there are a hundred other points I could have mentioned. But you can only keep so much in RAM.

 

Vik to Skaftafell, the Journey East

After  1 1/2 days shooting Dyrholaey, Vik Black Sand Beach and the waterfalls, I was ready to continue down the Ring Road. My next stopping point was Skaftafell Hotel, just down from Skaftafell National Park, an hour and a half northeast of Vik. The trip turned out to be full of unplanned discoveries. 

Ninety miles isn’t much. During the first leg, the landscape isn’t much different from the western side of the South Coast. You’re driving through a wide swath of rich farmland sprinkled with sheep and horses that’s overlooked by the usual mesa. After that, the massive footprint of Vatnajokull Glacier pushed the Ring Road down towards the coast.

So the plan was to stop half way and do a 2-3 hour photo shoot at Fjaðrárgljúfur, a 2 million year old canyon park, then head into glacier country and Skaftafell Park. I had done a quick trip to the canyon on my first trip to Iceland, getting there just before dusk (see slideshow below). Fjaðrárgljúfur had a certain magic and I knew the location would be even better with good light.

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But before easing down the road, I needed to upgrade my cold weather gear. I swung by the store, Icewear, to pick up some serious gloves and a balaclava mask on my way out of Vik.  Icewear is as big as any REI store in LA. Finding all that cold weather gear in a town of 200 is kind of impressive.

About 40 miles east of Vik, Rt 1 crosses a lava area that is covered with dense green moss. It’s an intriguing area, most of it fenced off for environmental reasons. It’s worth a stop at one of the road pull-offs.

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Shooting the moss-covered lava was challenging. It’s tactile and otherworldly but too amorphous to fit easily into a composition. Finding a bit of a foreground design and pulling in a distant mountain plateau seemed to work.

Closed for renovation 

When I got to the turnoff for Fjaðrárgljúfur canyon, I was in for a surprise. A park ranger was waving visitors over to explain that the canyon was off-limits except for the bridge at the bottom of the stream. The wooden boardwalk that goes along the entire eastern rim was getting a major renovation.

That wasn’t what I wanted to hear, the canyon is one of Iceland’s unique photo experiences. Plus this was my one chance to shoot this park, what with me doing the Ring Road. I wanted to see if there was any leeway.

Our ranger was a total pro, articulate, thoughtful, hunky. He explained that as an American, I would understand how important and delicate the ecology of a park can be. He mentioned that it gots 500,000 visitors in 2017, way more than the current wooden boardwalk can’t handle, especially with all the spring rains.

My new ranger friend told me the view from the bridge would be worth it. Knowing that the bridge is located at the bottom end of the canyon, I begged to differ. “Do you think a photo taken from the far end of the Grand Canyon captures the magic of the place?” He got my point. He did allow me to head down to the base of the bridge and wander up river if I wanted. The water was way too cold for that but I did get one or two shots at river level.

Fjaðrárgljúfur canyon

Not the photo I wanted. But I gained a bit of insight into the challenges Iceland faces in preserving its unique landscape. Plus he gave me a ride back up to my car. We shook hands. He continued working with the new visitors, I continued up the Ring Road.

Along the way

With only 50 miles to my hotel, I had plenty of time to kill. So I kicked back and enjoyed the classic southern countryside, golden-green farmland framed by a mountain plateau… plus a wind-swept waterfall.

Waterfall in SE coast, 60 miles east of Vik in Sidu

1/800 sec., F8,  63°51’9.282″ N 17°53’17.322″ W

Just another road pull-off, not a place that’s in any guidebooks or on any tours. But balancing the fence posts with the plateau made it one of my favorite images.

Then I pulled up and parked for a closer look at the falls, called Foss a Sidu.

Waterfall in SE coast, 60 miles east of Vik in Sidu

1/30 sec., F18,    63°51’14.61″ N 17°52’16.128″ W

The area past this point was private land so I didn’t intrude. Just took six shots of this delicate falls. In half the images, the water doesn’t make it do the ground, the wind gusts kept sweeping the falls away.

Eastern District

Twenty miles further on and the Iceland landscape is transformed from farmland to a black sand river delta. I spotted a butte set against the expanse of brown-black earth — another photo location that’s not in the guidebooks. I found a safe pullout just over the bridge. My first image was to the east.

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For this composition I used the curve of straw colored grass along the dune to lead the eye in.

Shooting north, the view is of a long plateau and a tongue of the Vatnajokull Glacier.

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Afternoon exploration, Hof 

By now I was close to my hotel and ready for a late lunch. I checked in and grabbed something at the restaurant/store across the road. I had decided to do Skaftafell and the Svartifoss waterfall the next morning when I was rested. So that afternoon, I drove further east on Rt 1 to take a look at another of the area’s points of interest, the turf church at Hof.

Hof Sod Church

The church itself was closed but the trees and old graveyard made for a shot that could have been in The Hobbit.

This whole area has some intriguing mountains so I explored another 10 km down the Ring Road. There was something about the snow covered peaks fronted by golden tundra grass. But one of my working rules is not just to shoot a cool mountain or waterfall by itself. I need to put any visual element into a more complex artistic context. So I didn’t pull over until I found the missing element, a dirt road that led the eye into the mountains.

Rt 1 pull off southeast of Hof

A leading line into composition

Evening light

It had been a long day so I rested before dinner. But Iceland had more in store for me, the evening light. I walked outside and noticed sunlight filtering down to the glacier behind Skaftafell National Park. Sweet.

Skaftafell Park

A closer look.

Skaftafell Park

And further down the road.

Pond south of Skaftafell Park along Rt 1

This time looking east with the stream as a leading line and anchored by the rough vegetation.

Pond south of Skaftafell Park along Rt 1

A variation

I got back to my room just after nine. It had been an interesting day, a perfect road trip day. My only must-see photo location had been a washout, called on account of spring rains. But the photos I had were uniquely my own … just me seeing something that other folks on the road had driven past. Not bad.

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