Posted on April 6, 2018
Lots of people don’t want to bother with planning. They want to book a flight and hotel and then wing it. And in a way, that’s what the savvy traveler does — engage oneself in the moment of a place , the one on one interaction with an environment. Anything rather than the mind-numbing approach of following a rigid list of Must Sees in Paris.
And if you’re just gonna go from hotel to beach and back again, the old don’t-plan-anything approach can pretty much work. (Except for booking hotel, flights, island travel, etc.) But that’s not in the cards if you’re doing an Iceland road trip.
Unless you’re doing tours (where the company does the logistics), a creative/photo oriented road trip requires planning, detailed planning … which allows you to then take a full two hours to engage with a photo location or go on a hike or do a blog post.
You need to build time into a good Ring Road trip — but time in specific spots. If photography is a guiding issue, you’ll want to know which photo locations are where on your road map — otherwise you’ll get your accommodations all wrong.
Now that detailing of a trip isn’t a hassle if you don’t make it one (and if I ever put this little travel book together). All your really doing is knowing what the cool spots are, thus giving yourself the time to explore them.
Logistics are pure karma, part of the creative path. Deal with that part and you (such a savvy traveler), can improvise. You can decide that this historical village is worth it and that waterfall, whose name you can’t pronounce, is one too many. Set aside enough time and you get to have a moment of pure creativity in a place you’ve never seen before… and that’s about as good as it gets.
You plan it before hand based on best knowledge then listen to your instincts when you’re on location.
Where to stop
I need a clear understanding of my itinerary stops before I book a BnB. But what are the best photo opportunities for landscape photographers? The photo tours don’t publicize those details for obvious reasons.
The various guidebooks can give me the general points of interest. But this is a photo tour and guidebooks provide almost no help when it comes to photo points of interest.
The Iceland itinerary companies out there provide a few recommendations for photos, they know where the tour buses go. But they have no idea about the crucial photo issues:
So, since I haven’t written the Iceland book, I need a good idea of potential shot locations (with my internal stack-ranking) and where they’re clustered. That’ll tell me what towns to stay at and for how long.
To handle this level of logistical planning I took a large map of the island and placed representative photos of the various photography locations where they are on the map. That allowed me to visualize my personal favorites in the context of travel times and lodging.
Now, think for a second about maps. They’re not just a guy thing unless someone wants to give one of the great tools of life over to the other sex. No, a map is a graphical metaphor for the physical landscape. That makes it important for landscape photogs on every level.
See, when I travel to a place, I want to develop an internal sense of where everything is — the way I have in the place I come from. The closer my internal framework is to life, the easier travel gets.
So when I look at my little scrapbook-like map, I can imagine what each day looks like. I look down at the peninsula at the bottom left of the map, the one with that big spot of red ink for Reykjavik, and a couple of inches to the left of that, Keflavik International Airport.
Now the map let’s me think the steps through as drive-time and stops: Get into the airport at that god-awful time, get the rental car, head to Route 1, follow it down the South Coast a couple hours, past some waterfalls and then the little BnB. I’ll want to chill there for a few hours after all those hours of traveling. Then some food before doing an evening photo shoot at those two waterfalls (the tour buses will have left) or maybe wander down to Vik and the Black Sand Beach.
A map gives the brain an objective reference point, not a bad thing.
Researching my photo locations
I did plenty of exploring on the Internet before my trip last March. I was particularly interested in spots that are popular on the photo web sites like 500px, Viewbug and Instagram. It’s helpful to check out the work of other photographers. First because you want a sense of what a waterfall or town or historical spot is really like. After all, there are hundreds of waterfalls on the island, some more spectacular (or charming) than others. So you start to see what the “marquee” photo locations are and where they’re located.
I also did searches of Iceland day tours and photo tours. These sites tell you which places the tourist industry thinks of as most enticing and photogenic (but they don’t share any of the logistics).
But it doesn’t take long to realize that these web sites (like the web itself) are biased. The locations that get all the web traffic, the “marquee” locations, are dramatic — and easy day trips from the city. The web pages you see reflect the businesses and people who want to drum up business, not actual need.
These are also sights that get the massive numbers of tour buses. And as a photographer, I want to know that. For instance, two waterfalls in the south, Seljalandsfoss and Skogafoss, are super popular with the tours, even in winter. And most of the Instagram shots feature thousands of tourists. Some of that can be cleared up in Photoshop, but a better solution is to visit that location before 9 AM or after 6, when the buses are heading back to Reykjavik.
A marquee shot or a pull-off
If I were a purist, I could avoid the popular spots altogether. After all, what fun is it to shoot a spot that’s been done and overdone by Instagram. Why set up a tripod and risk being hit by selfie sticks and run over by exuberant tourist. Fair question.
Shooting these locations during tourist hours is no fun. So shooting when the buses are gone is one choice. For other marquee locations like Gullfoss (on the Golden Circle), the tourists aren’t such an issue because you and the hordes are shooting from the cliffs above.
It’s true that the marquee locations have been done to death. So I probably won’t have anything unique to say. But what do I care? It’s a cool location, it has its own set of challenges, its an excuse for me to get in the zone… as long as I know when to visit. That’s another reason I’m doing this book research.
And in Iceland, there’s a country full of sights, amazing sights, that just don’t get the traffic. There are no tours to these spots. Some of my fav images from March were places not in the guidebooks, just pull-offs on the Ring Road. Each was a challenge no other photog has ever faced. Each forced me to see value in unexpected places.
The photo landscape of the Ring Road
Once we take Reykjavik out of the equation with 90% of the population, we have a number of photo worthy spots along the Ring Road.
Reykjavik to Vik. The South Coast has none of the fjords you see in the rest of the country and no ports. The area from 8 to 6 on the clock of Iceland is an alluvial plain with farms and black sand beaches. Given it’s closeness to the city, the area is hugely popular for tours (and photographers) with a couple of famous waterfalls and at the bottom tip, the beaches and sea stacks around the tiny town of Vik.
Vik to Hofn. From Vik to Hofn (6 to 4 o’clock), there’s a monster glacier just inland and, of interest to photographers, a national park, more waterfalls, Glacier Lagoon and Diamond Beach.
Eastern Iceland towns. The eastern side just north of Hofn doesn’t get many tourists. But if you stay along the coast instead of taking Route 1 inland, you’ll find that each of the scenic fjords has a fishing village or two and several have some charm. This is the real country, the way things were before Iceland got discovered by the global economy.
Northeast from Eglisstadir to Akureyri. From 2 up to 12 on the clock, the Ring Road pulls away from the coast and climbs into high country. Not many people up here until you get due north, to the scenic Lake Mavatn and Akureyri. There are a number of amazing waterfalls, more historical sights, low level volcanic activity, lots of empty road. And Akureyri, at 20,000, is the second largest “city” in Iceland, so shops, restaurants, a few little museums, people.
Northwestern Fjords. West of Akureyri you’ll find more little fishing villages along the northwestern fjords, plus scenic islands, whale watching, historical sights. Like Eastern Iceland, these sights are detours off Route 1 along the peninsula roads.
Snaefellsnes Peninsula Detour. After the north, Route 1 heads back towards Reykjavik. But doing a turn off along the way gets us to the Snaefellsnes Peninsula. It’s another popular day tour from the city. Plus it has several significant landscape locations (Kirkjufellsfoss, Helnar, Budar church, etc.). Plenty of excellent photo adventures, enough to warrant a couple of days.
The West Fjord area, north of Snaefellsnes on the map above, is the most unspoiled. It is a phenomenal area but is far off the Ring Road that for many, it won’t be worth the extra travel time. That said, Hornstradir National Park is unique and I’ll go at some point just because.
Golden Circle. The Golden Circle is also off the Ring Road, basically north east of the city. Most folks do this area on one of the tours. But it’s also an easy day trip to do on your own in a rental car. And since the Golden Circle is close to Reykjavik, it needs to be done at the beginning or end of the road trip. There are no easy roads over the center of Iceland. It’s mostly high country and home to several glaciers.
A few logistical data points
Planning for a Ring Road self-guided photo tour is a different beast. Consider: